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Heptanese School (painting)
The Heptanese School of painting (, also known as the Ionian Islands' School) succeeded the Cretan School as the leading school of Greek post-Byzantine painting after Crete fell to the Ottomans in 1669. Like the Cretan school it combined Byzantine traditions with an increasing Western European artistic influence, and also saw the first significant depiction of secular subjects. The school was based in the Ionian Islands, which were not part of Ottoman Greece, from the middle of the 17th century until the middle of the 19th century.〔(archive.gr - Διαδρομές στην Νεοελληνική Τέχνη )〕
== History ==
The Ionian Islands or Heptanese from the 17th to the 19th century were under successive Venetian, French and English occupation. The relative freedom that the Heptanese people enjoyed compared with Ottoman ruled mainland Greece, and the vicinity and the cultural relationships with neighbouring Italy, resulted in the creation of the first modern art movement in Greece. Another reason for the regional blossoming of arts is the migration of artists from mainland Greece and especially Crete to the Heptanese wanting to avoid the Ottoman rule. In particular Crete from the 15th century and the sack of Constantinople until the 17th century, when it was occupied by the Ottomans in 1669, was the main cultural centre of Greece, as it was ruled by the Venetians who allowed and encouraged artistic work (''See'': Cretan School). The main representatives of the fusion of Heptanese and Cretan Schools are Michael Damaskinos, Dimitrios Moschos and George Moschos, Manolis Tzanes and Konstantinos Tzanes and Stefanos Tsangarolas.〔
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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